F. H. K. Henrion studied in Paris, as a textile designer, then exhibition, stage and graphic design. He early clients included Levant Fair, 1936, Paris International Fair, 1937, Glasgow Empire Exhibition, 1938 and New York World Fair, 1939. During the war he was the consultant to the exhibitions division of the Ministry of Information and to the American Office of War Information in London. He was also the art editor of Contact, Future, BoAC publications, The Bowater Papers and The Compleat Imbiber. His later clients included the Festival of Britain, 1951, Olivetti, the British Transport Commission and KLM.
Design, Council of Industrial Design, 79, July 1955. Cover design by Frederick Henri Kay Henrion
F. H. K. Henrion studied in Paris, as a textile designer, then exhibition, stage and graphic design. He early clients included Levant Fair, 1936, Paris International Fair, 1937, Glasgow Empire Exhibition, 1938 and New York World Fair, 1939. During the war he was the consultant to the exhibitions division of the Ministry of Information and to the American Office of War Information in London. He was also the art editor of Contact, Future, BoAC publications, The Bowater Papers and The Compleat Imbiber. His later clients included the Festival of Britain, 1951, Olivetti, the British Transport Commission and KLM.
Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.
Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.
