Information

Content includes:
Japan World Exposition Official Symbol Mark Decided! / Masaru Katsumi, Riki Watanabe
Expectations for the Image of an Industrial Designer: Reflecting on the 1st Japan Industrial Design Conference: Various Considerations on Design / Kazuo Manabe
Fixing Taut’s Design – Designer Triple Mirror / Masakichi Awashima
Autonova farm / Norihiko Mori
design digest
Refreshing Italian orange wrapping paper / Cecilia Mora Agematsu
Olivetti new product / Tetsuya Okada
From the 11th Excellent Car Poster Exhibition
Expectations for current commentary and design administration
two wall designs
Fujisawa Cado wall design / Ryuichi YamashiroNumazu, Numazuken wall design/Manpachi Fukunaga
Let’s Explore Anything / Takeshi Otaka
Book review: Hiroshi Mizuo, Michio Ihara, Kazumasa Nagai

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Linked Information

Design (Japan), 85, 1966. Cover design by Hiroshi Hara
Design (Japan), 85, 1966. Cover design by Hiroshi Hara
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.