Information

Content includes:
Printing image – Current position / Kosuke Kimura
Obvious space 72 – City / Masatoshi Naito; ②City / Scenery / Shuji Yamada
Prop Art – Mad Flag / Sadajiro Nakade + Kenji Ishiguro
Currently, magazine theory ① Approach to the magazine for men / Tetsuo Shimizu
Obscene space ① Entrance phobia / Tomomi Muramatsu; Photo: Takao Niikura
Series (2): Adventure of the Circle General Custer and Questions and Replies / Shinichi Kusamori; Illustration: Shinjiro Okamoto
Series (2) Dialogue between matter and form About mirrors and / or double countries / Koichiro Ishizaki
Serialization – Decorative space theory Swirl illusion / Hiroshi Unno
Serialization – Written words Book space ① / Koji Taki
Design Digest / Hisao Ishiwatari
ID reconsideration – Glass design / Tetsuo Arakawa
New issue introduction “Japanese store stance” / Minami Takahashi
Book Review “Thoughts of Evil” / Masaru Ichikawa
Book Review “Architecture, Action and Planning” / Minoru Takeyama
Reveal of all “lines” and “white” in “Ayao Yamana Illustration Works” / Yoshio Hayakawa

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Linked Information

Design No.154 February 1972. Cover design by Koji Kusafuka
Design No.154 February 1972. Cover design by Koji Kusafuka
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.