Information

Opinion:
What has writing got to do with design?
Design history, Graphic design, Agenda, Anne Burdick
We canonise the giants of design history as champions of total authorship, while overlooking the obvious message of their work
Whatever became of the content?
Book design, Graphic design, New media, Rick Poynor
Much new design is over-complex and confusing. An alternative current, sharing many of the same assumptions, aims for clarity
Features:
Godard: Images, Sounds, Politics. by Eye editors
For the first in a new series, Eye revisits Richard Hollis’s innovatory design for a book on the French film-maker
Reputations: Roman Cieslewicz by Margo Rouard-Snowman
‘Posters are dying out. They need strong themes, which at present they lack. As a form of communication, they belong to another age’
White space black hat by Jeremy Myerson
Derek Birdsall harbours a secret. It has given him 30 years at the top. If it works, he says, use it again
Stop making sense by Véronique Vienne
The best-loved children’s stories are for adults too. Five American illustrators push at the boundaries of the book.
Prints of Islam by Rana Salam
In Syria and Beirut, craftsmen make inexpensive devotional images for the workplace and home
Cult of the ugly by Steven Heller
Designers used to stand for beauty and order. Now beauty is passé and ugliness is smart. How did we get here and is there any way out?
Video to go by Michael Horsham
Video packaging is an area of graphics both marginal and ubiquitous. Who decides how it looks?
Max Bittrof: visual engineer by Friedrich Friedl
Max Bittrof was one of the leading German designers of the 1920s. Unlike many exponents of the New Typography, he was able to apply the aesthetic to a major commercial client
Reviews:
Understanding Hypermedia: From Multimedia to Virtual Reality
Octavo, issues 1-8
The Boundaries of the Postage Stamp
Russian Avant-Garde Books 1917-34
Modernism and Eclecticism
Letterwork: Creative Letterforms in Graphic Design
Lift and Separate: graphic design and the quote unquote vernacular
Brett Wickens on non-Roman typesetting on the Macintosh
Software / hardware: Modems

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Linked Information

Eye, Issue 009, Summer 1993
Eye, Issue 009, Summer 1993
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.