Eye, Issue 047, Spring 2003

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Opinion:
Editorial Eye 47 – John L. Walters
There is a certain kind of urban store which in addition to stocking magazines and books…
Playground surrealism by Rick Poynor
What does BBC3’s animated ad say about the new channel? Critique by Rick Poynor
Features:
Daily Mirror by uncredited author
US website satire, re-heated for a UK tabloid’s 2m readers
PowerPoint
Tips for the time-poor on how to break the bad news
Y’ know cool stuff by Daniel Nadel
New US work featuring Alife, Dalek, Huntergatherer, Chris Johanson, Margaret Kilgallen, Geoff McFetridge, Barry McGee, Ryan McGinness, Mike Mills, Ed Templeton
Hoofdletters, Tweeling- en Meerlingdruk by Eric Kindel
An eccentric typographic proposal from the 1950s
Lists by Alice Twemlow
From the (a) trivial to the (b) deadly serious, lists dominate visual culture
Overprinting by the editor
Statistics, expression, economy and a tactile display of the passage of time
This is a specimen by Caroline Archer
Printers once promoted themselves through their knowledge of type
Reputations: Maira Kalman by Steven Heller
‘I was out walking the dear dog and I saw 500 things that made me want to make art.’
Yellow Submarine models by Paul West
Hard plastic models of Yellow Submarine figures, collected and appreciated by Paul West
Reviews:
Rewind: 40 Years of Design & Advertising
Gum #1
Alexey Brodovitch

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Eye, Issue 047, Spring 2003
Eye, Issue 047, Spring 2003
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.

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A selection of poster designs from Die besten Plakate des Jahres 1958 with a translated foreword by Maria Netter. Featuring the work of Müller-Brockmann, Celestino Piatti, Donald Brun and Armin Hofmann.

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Kazumasa Nagai  (永井 一正) was born in 1929 in Osaka and is one of Japan's most acclaimed graphic designers. He designed iconic corporate logos for major companies such as Mitsubishi UFJ, Japan Railways, Nissin, and TEPCO and designed 100s of posters.