Information

Content includes:
Opinion:
Monitor: End of default by Jay Prynne
The future is ours to see by Rick Poynor
Eye Education, Steven Heller
Features:
Over the rainbow by John L. Walters
Machine head by Rick Poynor
They work with words: 1 by Fraser Muggeridge
Fraser Muggeridge has devised a typographic spread exclusively for Eye.
They work with words: 2 by Jon Link, Mick Bunnage
They work with words: 3 by Oliver Knight, Rory McGrath
Reputations: Peter Biľak by Mark Thomson
Deep in the archives by Christian Schwartz, Paul Barnes
Make each letter speak out loud by Liz Farrelly
To the letter by Paul Shaw
Up close and tight by Laura Forde
Reviews:
The Form of the Book Book
On the Move
Regular Graphic Design Today
Lake Antiquity: Poems 1996-2008
Glitch: Designing Imperfection
Interaction of Color: New and Complete Edition
Objectified: A Documentary Film
Helvetica and the New York Subway System
Digital Pioneers
Richard Hamilton
Every Thing Design: The Collections of the Museum für Gestaltung Zürich
Ms Understood: Women’s Liberation in 1970s Britain
Limited Language: Rewriting Design: Responding to a feedback culture

Details

Linked Information

Eye, Issue 075, Spring 2010
Eye, Issue 075, Spring 2010
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.