Fact was published between 1964 and 1967, with a total of 22 issues published, highlighting and documenting controversial issues in America.
Details
Format: Magazine
Designer/s: Herb Lubalin (Art Director)
Year: 1967
Client/Publisher: Ralph Ginzburg
Size: 215mm x 280mm
Herb Lubalin graduated from Cooper Union in 1939 and initially designed exhibits for the New York World's Fair. After freelancing and working as an art director for various agencies, he joined Sudler and Hennessey in 1946, where he became vice president and creative director. His work earned him numerous awards from the New York Art Directors Club, Type Directors Club, and AIGA.
Fact, Volume Four, Issue Two, 1967. Designed by Herb Lubalin
Herb Lubalin graduated from Cooper Union in 1939 and initially designed exhibits for the New York World's Fair. After freelancing and working as an art director for various agencies, he joined Sudler and Hennessey in 1946, where he became vice president and creative director. His work earned him numerous awards from the New York Art Directors Club, Type Directors Club, and AIGA.
Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market
Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.
Takenobu Igarashi was born in 1944 in Tokyo and is best known for his typographic work as both a sculptor and designer. His work in over 30 permanent museum collections and continues to inspire designers today.
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.
