Fact was published between 1964 and 1967, with a total of 22 issues published, highlighting and documenting controversial issues in America.
Details
Format: Magazine
Designer/s: Herb Lubalin (Art Director)
Year: 1965
Client/Publisher: Ralph Ginzburg
Size: 215mm x 280mm
Herb Lubalin graduated from Cooper Union in 1939 and initially designed exhibits for the New York World's Fair. After freelancing and working as an art director for various agencies, he joined Sudler and Hennessey in 1946, where he became vice president and creative director. His work earned him numerous awards from the New York Art Directors Club, Type Directors Club, and AIGA.
Fact, Volume Two, Issue Five, 1965. Designed by Herb Lubalin
Herb Lubalin graduated from Cooper Union in 1939 and initially designed exhibits for the New York World's Fair. After freelancing and working as an art director for various agencies, he joined Sudler and Hennessey in 1946, where he became vice president and creative director. His work earned him numerous awards from the New York Art Directors Club, Type Directors Club, and AIGA.
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.
Each year, leading Dutch artists were commissioned to design the covers and inner pages of Drukkersweekblad en Autolijn. Including designers included Dick Elffers, Willem Sandberg, Jan van Toorn, Wim Crouwel, and Jurriaan Schrofer. The journal documented important design trends and developments in The Netherlands.
His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.
