Join the Mailing List

Membership

Graphic Design History from Design Reviewed
Herb Lubalin - Graphic Designer - USA

Fact, Volume Two, Issue Three, 1965

Information

Fact was published between 1964 and 1967, with a total of 22 issues published, highlighting and documenting controversial issues in America.

Details

  • Format: Magazine
  • Designer/s: Herb Lubalin (Art Director)
  • Year: 1965
  • Client/Publisher: Ralph Ginzburg
  • Size: 215mm x 280mm
Herb Lubalin graduated from Cooper Union in 1939 and initially designed exhibits for the New York World's Fair. After freelancing and working as an art director for various agencies, he joined Sudler and Hennessey in 1946, where he became vice president and creative director. His work earned him numerous awards from the New York Art Directors Club, Type Directors Club, and AIGA.

Linked Information

Fact, Volume Two, Issue Three, 1965. Designed by Herb Lubalin.
Fact, Volume Two, Issue Three, 1965. Designed by Herb Lubalin.
Herb Lubalin graduated from Cooper Union in 1939 and initially designed exhibits for the New York World's Fair. After freelancing and working as an art director for various agencies, he joined Sudler and Hennessey in 1946, where he became vice president and creative director. His work earned him numerous awards from the New York Art Directors Club, Type Directors Club, and AIGA.
More graphic design artefacts
Warschauer Ghetto tentoonstelling, Stedelijk Museum Amsterdam, 1961 designed by Willem Sandberg
From the design archive:

Warschauer Ghetto tentoonstelling, Stedelijk Museum Amsterdam, 1961

  • Format: Exhibition Catalogue and Poster
  • Designer/s: Willem Sandberg
  • Year: 1961
View Artefact
Het Nederlandsche Boek - 1931, Nederlandsche Uitgeversbond Amsterdam, 1931
From the design archive:

Het Nederlandsche Boek – 1931, Nederlandsche Uitgeversbond Amsterdam, 1931

  • Format: Book
  • Year: 1931
View Artefact
Visible Language (The Journal of Typographic Research, Vol 02, 04, October 1968
From the design archive:

Visible Language (The Journal of Typographic Research), Vol 02, 04, October 1968

  • Format: Magazine
  • Designer/s: Jack Stauffacher
  • Year: 1968
View Artefact
The IBM Poster Program - Visual Memoranda, Lund Humphries Publishers, 2021
From the design archive:

The IBM Poster Program: Visual Memoranda, Lund Humphries Publishers, 2021

  • Format: Book
  • Year: 2021
View Artefact

view more of the graphic design archive

More graphic design history articles
Triest_Verlag_Repros_2020
  • Designer Interview

Publishers and Books Series – Triest Verlag

Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.

Members Content

Gregory Vines, Typographische Monatsblätter, issues 1-6, 1978 - Process
  • Design Archive Feature, Members Only Content

Gregory Vines – Design and Process of the Typographische Monatsblätter 1978 Covers

Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.
Full-page ads for the newspaper «Stuttgarter Nachrichten» designed by Herbert W. Kapitzki
  • Design Archive Feature

Abstract Publicity – Self-Advertisements of the Stuttgarter Nachrichten by Fritz Seitz, 1963

The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
EKPlJgZXsAcnxgK-1
  • Designer Interview

Rob Walker (Signs by Umberto)- Precision, Craft and the Love of Letters

I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.