Content includes:
Designer-Verbände. Berufsbilder
form als Organ des BDG und VDID
H. W. Kapitzki, Zu Verbands-
interessen und einem Verbandsorgan
Fritz Seitz, Designer unter sich
Wie Designer über Design denken
Grafik-Design
J. Klöcker, DIN und die Wirklichkeit
Bildzeichen als Normen
E. Feetbeck, Lernen im Spiel –
das Braun-Buchlabor
P. v. Kornatzki, Konzeptionelle
Konstanten, visuelle Variablen
form-Interviews
G. Bonsiepe/R. Segre, Design und
die Dritte Welt – Cuba
Die Goldfingers von Schwabing
Ausstellungen, Produkte – Möbelmesse Köln 1970
form-Forum – G. Krause, Auf staatlichen. Arbeitsstühlen läßt sich gut ruhen
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Kazumasa Nagai (永井 一正) was born in 1929 in Osaka and is one of Japan's most acclaimed graphic designers. He designed iconic corporate logos for major companies such as Mitsubishi UFJ, Japan Railways, Nissin, and TEPCO and designed 100s of posters.
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Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.
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Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
While gathering all my type catalogues, brochures, and instructions on print processes, I found a little book titled 43 American Typographic Designers. I have included biographical notes from the designers featured in the exhibition accompanied by artefacts I have collected that they designed.
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