Content includes:
Designer-Verbände. Berufsbilder
form als Organ des BDG und VDID
H. W. Kapitzki, Zu Verbands-
interessen und einem Verbandsorgan
Fritz Seitz, Designer unter sich
Wie Designer über Design denken
Grafik-Design
J. Klöcker, DIN und die Wirklichkeit
Bildzeichen als Normen
E. Feetbeck, Lernen im Spiel –
das Braun-Buchlabor
P. v. Kornatzki, Konzeptionelle
Konstanten, visuelle Variablen
form-Interviews
G. Bonsiepe/R. Segre, Design und
die Dritte Welt – Cuba
Die Goldfingers von Schwabing
Ausstellungen, Produkte – Möbelmesse Köln 1970
form-Forum – G. Krause, Auf staatlichen. Arbeitsstühlen läßt sich gut ruhen
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.
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Advertising Design, Design Archive Feature, Members Only Content
Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.
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Design Archive Feature, Ephemera, Members Only Content, Regional Histories
Beyond being mere artefacts of design, these examples of Japanese Ephemera show the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
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