Form, Internationale Revue 55, 3, 1971

Information

Content includes:
Kongresse, Tagungen:
F. Seitz, Vis-Com 71 – Flucht in den Bildungsbetrieb
P. v. Kornatzki, Education Design – Design der Unmündigkeit? (ICOGRADA)
Grafik-Design: K.-D. Stoffers, Aus einem anonymen
Produkt-Design:
Gerät eine Marke machen (Gardena) K. Ritter, ,,ab an Jac”
G. Müller-Krauspe, Zum dritten Mal: Bundespreis Gute Form
Visiona 3″ von Oliver Mourque
Produkt-Kritik: Rowenta Toastgrill TO -92
Packungs-Design:
Umweltschmutz im Einkaufsnetz
9. Deutscher Verpackungs-Wettbewerb
form-Forum:
J. S. Ocón, Keine Zeit für den Designer von morgen?
Grundlagen:
R. Griffel, Zur wirtschaftlichen Situation der Freiberuflichen und Angestellten
Modelle für die Praxis:
,,Grafik- Designer Studienprogramm”
P. Steinacker, VDID-Seminar: E. Reichel, Ablauf eines Design-Auftrages
J. Hämer, Kostenrechnung
Markt:
Produkte, gesehen und notiert

Details

Linked Information

Form, Internationale Revue 54, 3, 1971
Form, Internationale Revue 55, 3, 1971
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.

Members Content

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.