Gard Sivik 27, July – August 1962

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Gard Sivik was a Flemish and Dutch avant-garde magazine that was founded in 1955 on the initiative of the Flemish poets Gust Gils and Paul Snoek. The experimental magazine was named after the eponymous jazz café on the Stadswaag in Antwerp, and aimed to provide a forum for young poets ‘to promote avant-garde art

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Gard Sivik 27, July - August 1962
Gard Sivik 27, July – August 1962
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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.

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The Bauhaus approach to design emphasised simplicity, functionality, and the integration of modern technologies and materials. A century later, many of the principles taught at the school remain fundamental to contemporary design practices.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.