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Graphic Design History from Design Reviewed
Jacques Richez - Graphic Designer - Belgium

Gebrauchsgraphik, 05, 1952

Information

Content includes:
Eberhard Hölscher: H. J. Barschel
Friedrich Ernst Meinecke: Propaganda for tourist traffic in Spain
Anton Sailer: Arthur Marokvia, the draughtsman
Ludwig Ebenhöh: The topical page
Eberhard Hölscher: M. A. N. An industry almanac
Ludwig Ebenhöh: P. H. Huveneers
Dr. Peter Weller: Irving Penn, an American fashion photographer
Eberhard Hölscher: Selected Swiss posters, 1951
Franz Hermann Wills: Horst Piehler
Max Körner: Plakatwettbewerb «Kieler Woche» • Competition for a poster for the «Week at Kiel»
Neue Drucktypen der Haas’schen Schriftgießerei A.-G., Münchenstein/Schweiz
Max Körner: The day of the Protestant Home Mission

Details

  • Format: Magazine
  • Designer/s: Jacques Richez
  • Year: 1952
  • Client/Publisher: Bruckmann Verlag
  • Size: 210mm x 295mm
Jacques Richez studied at the Académie Royale des beaux-arts in Mons and, after completing his studies, joined a design studio in Brussels. During the war he enlisted in the Army, and returned in 1944 and set up his own studio. He took part in AGI exhibitions in London, Lausanne and Paris, and the Design in Print exhibition in Edinburgh, 1955. His design was used for the Brussels World Fair in 1958 and he was a member of the Institut belge d'esthétique industrielle and a lecturer at the Ecole technique de publicité in Brussels.

Linked Information

Gebrauchsgraphik, 05, 1952
Gebrauchsgraphik, 05, 1952. Cover design by Jacques Richez

 

Gebrauchsgraphik, 05, 1952 - H. J. Barschel
Gebrauchsgraphik, 05, 1952 – H. J. Barschel

 

Gebrauchsgraphik, 05, 1952 - H. J. Barschel
Gebrauchsgraphik, 05, 1952 – H. J. Barschel
Jacques Richez studied at the Académie Royale des beaux-arts in Mons and, after completing his studies, joined a design studio in Brussels. During the war he enlisted in the Army, and returned in 1944 and set up his own studio. He took part in AGI exhibitions in London, Lausanne and Paris, and the Design in Print exhibition in Edinburgh, 1955. His design was used for the Brussels World Fair in 1958 and he was a member of the Institut belge d'esthétique industrielle and a lecturer at the Ecole technique de publicité in Brussels.
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