Gebrauchsgraphik, 10, 1965

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Content includes:
Herbert Pée – Posters by Almir Mavignier
Kurt Weidemann DIE BRÜCKE · House Journal of the Hoechst Works
Kurt Weidemann – Lucas Prize 1965 · Result of a School Competition
Hans Kuh – Carl Kock · An American Advertising- Artist
J.J. de Lucio-Meyer – The Best English Posters 1964
Erich Pfeiffer-Belli – Jobst von Hardsdorf · Graphic Book Art
Pieter Brattinga – The Cube and its Variations

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1965 gebrauchsgraphik 10
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When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.
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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.