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August Trueb; Studio Boggeri, Milano
Hans Meid: Book Jackets
Erich Balg, Photos
Charles Girod
Erich Balg, Studio Boggeri, Charles Girod, Hans Meid, August Trueb

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Gebrauchsgraphik, 12, 1936. Cover design by Carl Fr. Erdmann
Gebrauchsgraphik, 12, 1936. Cover design by Carl Fr. Erdmann
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.