Gebrauchsgraphik, 9, 1966

Information

Content includes:
Alexandre Alexandre – Galeries LaFayette and Jacques Lavaux
Armir Eichholz – Señor DON Personally, a Spanish Journal for Gentlemen’s Fashions
Ludwig Ebenhöh – The Corporate Image of the Catholic Worker’s Movement by Heldfried Hagenberg Graphic Art
Eberhard Hölscher – International Poster Exhibition in Kassel
J.J. de Lucio-Meyer – Arnold Schwartzman, London Publicity Design, Television-Graphics, Illustration
Eberhard Hölscher First International Poster-Biennial Warsaw 1996
Hans Kuh – Munich Typography

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Gebrauchsgraphik, 9, 1966. Cover design by Alain Pontecorvo
Gebrauchsgraphik, 9, 1966. Cover design by Alain Pontecorvo
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Ryuichi Yamashiro (山城隆)  was a Japanese graphic designer and artist, born in Osaka in 1920. He belonged to the same generation of pioneering Japanese designers as Kohei Sugiura, Kiyoshi Awazu, Yoshio Hayakawa, Yūsaku Kamekura, Kazumasa Nagai, and Ikko Tanaka.  

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.

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Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet.