Graphic Design 11, 1963

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Content includes:
Ema Toyotarou Tanaka
The world of Albers Mukai, Ichimada, Kanda
Memories of Albers Iwao Yamawaki / Mako
New flow of LP jacket Kohei Sugiura Ikko Tanaka
Print Design Laboratory / 11 Shigeo Fukuda Mitsumura Primary Color Printing Co., Ltd.
Calendar Masaru Katsumi, Hideo Mukai, Kozo Koike
Poster of the National Museum of Modern Art, Atsuo Imaizumi
Gas station display Masaru Katsumi
World Rookie Outlook VI / 3 Freshmen Masaru Katsumi
Kusaka / Ansai / Fukuda
Portfolio book review

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 11, 1963. Cover design by Osamu Hayasaki
Graphic Design 11, 1963. Cover design by Osamu Hayasaki
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.