Graphic Design 11, 1963

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Content includes:
Ema Toyotarou Tanaka
The world of Albers Mukai, Ichimada, Kanda
Memories of Albers Iwao Yamawaki / Mako
New flow of LP jacket Kohei Sugiura Ikko Tanaka
Print Design Laboratory / 11 Shigeo Fukuda Mitsumura Primary Color Printing Co., Ltd.
Calendar Masaru Katsumi, Hideo Mukai, Kozo Koike
Poster of the National Museum of Modern Art, Atsuo Imaizumi
Gas station display Masaru Katsumi
World Rookie Outlook VI / 3 Freshmen Masaru Katsumi
Kusaka / Ansai / Fukuda
Portfolio book review

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 11, 1963. Cover design by Osamu Hayasaki
Graphic Design 11, 1963. Cover design by Osamu Hayasaki
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.

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Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.

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Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.