Max Huber - Italian Graphic Designer

Graphic Design 13, 1963

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Content includes:
My published book / Takeo Takei
Takeo Takei’s Miniature Book
Westinghouse Design Policy / Masaru Katsumi
Saul Bass’s recent work / Yusaku Kamekura
Gerstner + Kutter / Masaru Katsumi
World Rookie Outlook ⑧ / Masaru Katsumi
Charles Goslin
Kuniomi Uematsu
Print Design Laboratory: ⑬ Two Etudes with Gradation / Kazumasa Nagai; Tsunehisa Kimura
Western picture books / Shigeo Fukuda
About receiving the Mainichi Industrial Design Special Award

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Max Huber was born in 1919 in Switzerland. He worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.

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Graphic Design 13, 1963
Graphic Design 13, 1963. Cover design by Max Huber
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
Max Huber was born in 1919 in Switzerland. He worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion

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Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.

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The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.