Yoshio Hayakawa - Japanese Graphic Designer

Graphic Design 02, 1960

Information

Content includes:
Masashiro Yamaguchi Works Space and Composition / Katsue Kitazono
Olivetti Design Policy / Masaru Katsumi
Yoshio Hayakawa Works Artist/Designer / Jun Hamamura
Print Design Laboratory ② Trump / Tadao Ujihara, Ensuke Kawasaki, Tadashi Ohashi, Akira Uno
Unsun Carta / Ichitaro Kondo
Abstraction and Design / Masaru Katsumi
Children’s Design Children’s Calligraphy / Noriaki Fujisawa
’60 Calendar / Kohei Sugiura, Ikko Narahara

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

Yoshio Hayakawa was born in Osaka in 1917 and is regarded as one of Japan's most influential post-war poster designers. His work is often described as a "harmonisation of traditional Japanese art with Western art," reflecting the design fusion that became a hallmark of Japan's postwar creative output. 

Linked Information

Graphic Design 2, 1960. Cover design by Yoshio Hayakawa
Graphic Design 2, 1960. Cover design by Yoshio Hayakawa

 

Graphic Design 2, 1960 Inner
Graphic Design 2, 1960 Inner

 

Graphic Design 2, 1960 Inner
Graphic Design 2, 1960 Inner
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
Yoshio Hayakawa was born in Osaka in 1917 and is regarded as one of Japan's most influential post-war poster designers. His work is often described as a "harmonisation of traditional Japanese art with Western art," reflecting the design fusion that became a hallmark of Japan's postwar creative output. 
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

Members Content

Jean Carlos Distefano is an Argentinian artist, designer and teacher. He designed a range of posters, programmes brochures and book covers alongside Juan Andralis, Humberto Rivas and Roberto Alvarado for the Instituto di Tella, Buenos Aires.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.