Tsunehisa Kimura - Japanese Graphic Designer

Graphic Design 21, 1965

Information

Content includes:
Hiroshi Hara Rubbings of Xi’an Steilin
Eurasian Graphics Exhibition in Hawaii Kenneth Kingley Takashi Kono
Exhibition Isamu Kenmochi
Printing Design Laboratory/21 Max Huber Kindaisha Co., Ltd. Kogihan Co., Ltd.
Sunday newspaper layout Pieter Brattinga
East, West, South, North Masaru Katsumi
Print design exhibition that makes the most of paper
Shigeo Fukuda Design Exhibition “&”
Elsa Kula Works

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

Linked Information

Graphic Design 21, 1965. Cover design by Tsunehisa Kimura
Graphic Design 21, 1965. Cover design by Tsunehisa Kimura
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The Utah State University (USU) houses a vast collection of Outdoor Recreation Catalogues and magazines, You can browse and search records of more than 8,000 catalogues and magazines from over 500 companies, including manufacturers like Lowe Alpine and Sierra Designs to retailers like Eastern Mountain Sports and REI.

Members Content

Just like people, cities are complex systems. Planners and designers play a key role in making them function smoothly through well-designed signage systems and visual identities. These elements must not clutter the environment but instead serve to inform, direct, and warn the public effectively.  
Systematic Surface Design eliminating the hindrance of searching for strategies and starting points, allowing designers to quickly find optimal solutions.

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.