Giovanni Pintori - Italian Graphic Designer

Graphic Design 31, 1968

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East-West craftsmanship / Motoo Endo
New Photographer Outlook ① Takayuki Shimotsu / Yasuhiro Ishimoto
Peace and Anti-War Poster Collection / Yusuke Nakahara, Kinkichi Takahashi
’68 Nobumi Award-winning work / Yusaku Kamekura
Tokyo Art Directors Club Winner ’68 / Shizuichiro Arai
Impression of Hemis Fair / Shigeo Fukuda
Typeface in Kokatsuji-bon by Kazuma Kawase / Hiromu Hara
Behavioral designer Ralph Pudding / Masaru Katsumi
Walter Plata Works / Yukio Ota
and Dutch Graphic Design / Peter Brattinga
Printing + Design ① Color Planning Center / Masaomi Unagami
Thoughts on Design ② About Contemporary Book Design / Alvin Rustig

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 31, 1968
Graphic Design 31, 1968. Cover design by Giovanni Pintori.
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.

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Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.

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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.

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Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.