Graphic Design 40, 1970

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Content includes:
Hanafuda etc.
Cuban graphic design Shigeo Fukuda
Young generation 2 Suro Habara
Teruyuki Kunisaki’s Spatial Axis
Takanori Makiya Graphic Chart
Works by Wolfgang Waldherr Masaru Katsumi
Works by Jean-Philippe Lanclos
by Takuya Tsukahara
New Vistas in Design Izuo Sakane
Ben Shahn and instruments

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 40, 1970. Cover design by Masayuki Ito, Kazuyoshi Akiyama
Graphic Design 40, 1970. Cover design by Masayuki Ito, Kazuyoshi Akiyama
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.