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Content includes:
The Beauty of Otsu Paintings Folk Paintings / Jinichi Suzuki
World Design Conference (ICSID’73 KYOTO) / Masaru Katsumi
Design Forum ’73 / Shigeo Fukuda
True face Kazumasa Nagai / Masataka Ogawa
Alphabet architectural technique: An achievement of the Barocco era / Masaru Katsumi
Concrete Poetry: Its origins and its relationship with Japan / Shutaro Mukai
Swedish designer Kurt Grön / Akio Kanda
Trademark Thoughts / Jacques Richet
Thomas Beirle’s recent works
About Muneharu Satomi / Fumio Yamana

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 Graphic Design 52, 1974. Cover design by Yuito Nadamoto
Graphic Design 52, 1974. Cover design by Yuito Nadamoto
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Albrecht Ade's students produced some great typographic compositions and print work in his typography class, here's a selection of the work and information about Albrecht Ade.

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Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

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The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.