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Graphic Design History from Design Reviewed

Graphic Design 52, 1974

Information

Content includes:
The Beauty of Otsu Paintings Folk Paintings / Jinichi Suzuki
World Design Conference (ICSID’73 KYOTO) / Masaru Katsumi
Design Forum ’73 / Shigeo Fukuda
True face Kazumasa Nagai / Masataka Ogawa
Alphabet architectural technique: An achievement of the Barocco era / Masaru Katsumi
Concrete Poetry: Its origins and its relationship with Japan / Shutaro Mukai
Swedish designer Kurt Grön / Akio Kanda
Trademark Thoughts / Jacques Richet
Thomas Beirle’s recent works
About Muneharu Satomi / Fumio Yamana

Details

  • Format: Magazine
  • Designer/s: Yuito Nadamoto
  • Year: 1974
  • Client/Publisher: Kodansha
  • Size: 260mm x 300mm

Linked Information

Graphic Design 52, 1974. Cover design by Yuito Nadamoto
Graphic Design 52, 1974. Cover design by Yuito Nadamoto
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
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Society of Industrial Artists, 32, April 1953

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Schweiz. Konferenz für Sicherheit im Strassenverkehr Bern. designed by Hans Hartmann, Bern in 1963
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Swiss Posters from the 1963 Best Poster Award (Die besten Plakate des Jahres 1963)

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Pharmaceutical Ad Design by Hans Jürgen Rau
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The Design and Photography of Hans Jürgen Rau by Hans Kuh, 1962

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Advertisement for Gebr. Sulzer AG, Winterthur Designed by Bernhard Lüthi, Basel
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Industrial Advertisements. A selection of works from the book, Swiss Industrial Graphic Design

A short essay and scanned advertising from Swiss Industrial Graphic Design. A rare book focused on effective industrial promotion authored by Hans Neuburg. The design of the book is credited to Hans Neuburg and Walter Bangerter.
Almanaque, July 1960 designed by Sebastião Rodrigues
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Covers of Portuguese Periodical, Almanaque by Franz Hermann Wills, 1963

The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.