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Content includes:
Picture Sugoroku Junji Takahashi
Digital Map Africa Experimental Transparent Map Nobuo Nakagaki
Approaching new spatial notation Tokyo Zokei University Environmental Training Group
Design for the Dead Masaru Katsumi
Type and Typography Helmut Schmidt
Works by Manfred Winter
Exhibition in Zurich Niklaus Frühler
Expo 3 Symbol Zone and Signage Plan Kenzo Tange, Taro Okamoto, Kyohei Tsuboi
Techne His Type Size Current Situation and Challenges

Editor-in-chief: Masaru Katsumi
Advisor: Hiroshi Hara
Editing: Atsuko Katsube, Ryoko Sasaki
Layout: Akio Kanda, Yukio Ota, Masayuki Ito
Editing Office: Graphic Design Company
Printing and binding: Toppan printing

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 38, 1970. Cover design by Kohei Sugiura
Graphic Design 38, 1970. Cover design by Kohei Sugiura
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.