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Collected Graphic Design History from Design Reviewed

Graphic Design 38, 1970

Information

Content includes:
Picture Sugoroku Junji Takahashi
Digital Map Africa Experimental Transparent Map Nobuo Nakagaki
Approaching new spatial notation Tokyo Zokei University Environmental Training Group
Design for the Dead Masaru Katsumi
Type and Typography Helmut Schmidt
Works by Manfred Winter
Exhibition in Zurich Niklaus Frühler
Expo 3 Symbol Zone and Signage Plan Kenzo Tange, Taro Okamoto, Kyohei Tsuboi
Techne His Type Size Current Situation and Challenges

Editor-in-chief: Masaru Katsumi
Advisor: Hiroshi Hara
Editing: Atsuko Katsube, Ryoko Sasaki
Layout: Akio Kanda, Yukio Ota, Masayuki Ito
Editing Office: Graphic Design Company
Printing and binding: Toppan printing

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

  • Format: Magazine
  • Designer/s: Kohei Sugiura
  • Year: 1970
  • Client/Publisher: Kodansha
  • Size: 260mm x 300mm

Linked Information

Graphic Design 38, 1970. Cover design by Kohei Sugiura
Graphic Design 38, 1970. Cover design by Kohei Sugiura
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
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Copley, Stedelijk Museum, Amsterdam, 1966 designed by Wim Crouwel
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Copley, Stedelijk Museum, Amsterdam, 1966

  • Format: Exhibition Catalogue
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  • Year: 1966
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Edinburgh 30th International Festival 1976, Programme, 1976. Designed by Hans Schleger.
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Edinburgh 30th International Festival 1976, Programme, 1976

  • Format: Programme
  • Designer/s: Hans Schleger
  • Year: 1976
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Graphis 96, 1961. Cover design by Willy Eidenbenz.
From the design archive:

Graphis 96, 1961

  • Format: Magazine
  • Designer/s: Willy Eidenbenz
  • Year: 1961
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More graphic design history articles
Idea 81, 1967. Cover design by Yusaku Kamekura
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Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
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Designers and Books Series – Elizabeth Resnick

Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.
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Me (Matt Lamont) in front of a selection go the archive
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Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.
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Members Content

Typografia, ročník 61, 01. Cover design by Oldřich Hlavsa.
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Oldřich Hlavsa and his design for Typografia magazine

Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.
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