Information

Content includes:
Mitsumasa Anno / Mitsumasa Anno
Japanese hyper-realism special
Hyper-Realism and Graphic Design / Shinichi Segi
Redesign / Masaru Katsumi
Old Tombstone Designs of the Eastern United States
new york report
 Soho artist / Aijiro Wakita
 Farming Out / Jun Kanai
Illustrator’s collective bargaining / Yoko Mitsuhashi
American Monthly / Akira Kojima
Corporate Identities of Two American Airlines / Tadahisa Nishio
Professor Daucher’s / Yukio Ohta
Design Travelogue 1 Brno Biennale / Masaru Katsumi (6th International Graphic Design Biennale)

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

Linked Information

Graphic Design 55, 1974
Graphic Design 55, 1974. Cover design by Shigeo Fukuda
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.