Graphik – Werbung + Formgebung, 3, 1959

Information

Content includes:
Packaging
Well-packed means half-sold
KRISTALUNIE, Holland
G. HoTor, Book jackets
KAISER BORAX, then and now
The development of MAGGI packages
Folding boxes in offset printing Collapsible cartons in offset printing
DEINHARD sparkling wine gift packages
J.S. STADTLER publicity
Packed in glass, a series of advertisements
Our opinion of one poster contest
Advertising Practice Publicity Practice
Our congratulatory cards and calendar survey
Matrix publishers
GRAPHIK Special News
Advertising picture atlas

Details

Linked Information

Graphik – Werbung + Formgebung, 3, 1959
Graphik – Werbung + Formgebung, 3, 1959
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet. 

Members Content

This 1,500 word essay focused on the work of Jan Bons. One of the most prominent figures in Dutch design history. For over three-quarters of a century, he crafted a mass of work with many long-time collaborators.

Members Content

As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.

Members Content

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.