Antonio Frasconi

Graphis 100, 1962

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Content includes:
Armin Kesser, Zürich: Global Distribution of the Sun Cultures
Armin Kesser, Zürich: Solar Symbolism among Ancient Peoples
William B. McDonald, London: Christian Sun Symbols
Prof. Dr. G. F. Hartlaub, Heidelberg: The Sun in the Sign-Launguage of Alchemy
August Kaiser, Basel: The Sun in Popular Art Customs
Réne Creux, Lausanne: At the Sign of the Sun
Prof. Dr. Karl Schütte, München: Sundial from the 13th to the 18th Century
Dr. Willy Rotzler, Zürich: The Sun in Advertising and Applied Art
Enrichette Eitter, Milano: Piero Fornasetti and His Suns
Manuel Gasser, Zürich: Antonio Frasconi: A Book of Many Suns
Henri Guillemin, Bern: The Sun in Jean Lurçat’s Work
Dr. Reinhold Hohl, Basel: The Sun in Contemporary Painting and Sculpture
Irene Rigassi, Zürich: Chid and Sun

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Graphis 100, 1962. Cover design by Antonio Frasconi
Graphis 100, 1962. Cover design by Antonio Frasconi
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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.

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A short essay and scanned advertising from Swiss Industrial Graphic Design. A rare book focused on effective industrial promotion authored by Hans Neuburg. The design of the book is credited to Hans Neuburg and Walter Bangerter.

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In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.