Graphis 125, 1966

Information

Content includes:
Jan Lenica, Warszawa: First International Poster Biennale in Warsaw
Darwin M. Bahm, New York: The Assemblage as Editorial and Advertising Art
Manuel Gasser, Zürich: Jules Feiffer
Arai Seiichiro, Tokio: Masuda Tadashi Design Institute, Tokyo
George Perry, London: Design and Art Direction ’66, London
Gyorgy Kepes, Cambridge, Mass.: Light as a Creative Medium

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Graphis 125, 1966. Cover design by Eugene Hoffmann.
Graphis 125, 1966. Cover design by Eugene Hoffmann.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

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The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.

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Just like people, cities are complex systems. Planners and designers play a key role in making them function smoothly through well-designed signage systems and visual identities. These elements must not clutter the environment but instead serve to inform, direct, and warn the public effectively.  
"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."