Graphis 27, 1949

Information

Content includes:
French Commercial Art (W. Schlmalenbach)
Will Burtin. “Integration, the New Discipline in Design.” (Will Burtin)
Treasures of the Lombard Libraries (Stella Matalon)
Polish Posters and Children’s Books
Hans Ernl Oedipe Roi, Antigone. (Georgine Oeri)
Pablo Picasso. Pottery (Christian Zervos)
City Display Organisation, London (C.F.O. Clarke)
Lettering. The Principal Types of Running Hand and Drawn Characters (Walter Kaech)
Locarneser Stukkaturen – Stucco-Work at Locarno (Piero Bianconi)
African Children’s Drawings (Francois Stahly)

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Linked Information

Graphis 27, 1949. Cover design by Jean Picart Le Doux
Graphis 27, 1949. Cover design by Jean Picart Le Doux
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From the design archive:
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The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.

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In December 1924, the Netherlands introduced children's stamps (Kinderzegels). Over the years, these stamps have featured designs by some of the most prominent Dutch designers, including Gerard Kiljan, P. Koch, Gerrit Noordzij, Otto Treuman, Robert Deodaat Emile ‘Ootje’ Oxenaar, Dick Bruna, Jan van Toorn, and Karel Martens.

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Ootje Oxenaar designed the summer stamps for the Netherlands using an assignment from De Nederlandsche Bank based on banknotes. The assignment resulted in the collaboration of Oxenaar, the printer, the laboratory and the banking specialist, in which they experimented with the design of securities on printed matter.