From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Corporate Identity & Branding, Design Archive Feature, Regional Histories, Studios & Collectives
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
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Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
A great way to visualise these stylistic variations and their progression is by looking through magazine covers and interior pages produced during the movement. The covers of Typografia that best represent the Czech Secese style of Art Nouveau were produced between 1907 and 1911.
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Design & Politics, Design Archive Feature, Members Only Content, Movements, Regional Histories
The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
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