A biographical account of one of the prominent teachers of the famous Hochschule fur Gestaltung in Ulm, founded by Max Bill.
Details
Format: Book
Designer/s: Herbert W. Kapitzki
Year: 1997
Client/Publisher: Axel Menges
Size: 250mm x 305mm
Herbert W. Kapitzki was a German graphic designer, born in Danzig in 1925. He studied painting and graphics in Hamburg and Stuttgart, and worked independently in visual communication. In 1956, on behalf of the Baden-Württemberg Ministry of Economics, he began working in environmental design and founded the "56" working group for Graphics and Economics in the Stuttgart region. In 1964 he accepted a temporary position at the Hochschule für Gestaltung in Ulm, which the following year became a full professorship, thus combining research and teaching in the spirit of visual design arts.
Herbert W. Kapitzki, Design – Method and Consequence, 1997
Herbert W. Kapitzki, Design – Method and Consequence, 1997
Herbert W. Kapitzki, Design – Method and Consequence, 1997
Herbert W. Kapitzki, Design – Method and Consequence, 1997
Herbert W. Kapitzki was a German graphic designer, born in Danzig in 1925. He studied painting and graphics in Hamburg and Stuttgart, and worked independently in visual communication. In 1956, on behalf of the Baden-Württemberg Ministry of Economics, he began working in environmental design and founded the "56" working group for Graphics and Economics in the Stuttgart region. In 1964 he accepted a temporary position at the Hochschule für Gestaltung in Ulm, which the following year became a full professorship, thus combining research and teaching in the spirit of visual design arts.
Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.
The dedication of Gebrauchsgraphiks editors and publishers significantly influenced the spread and impact of graphic design, documenting countless designers who might otherwise have been forgotten over the last century since its first issue hit newsstands. Design magazines play a crucial role in supporting the design profession and remain vital resources for designers and historians alike.
