HerStories in Graphic Design: Dialogue, continuity, self-empowerment, JOVIS, 2023

Information

Dialogue, continuity, self-empowerment. Women graphic designers from 1880 until today by Gerda Breuer

By and large, women have been left out of the history of graphic design. Yet if we look beyond the surface of this familiar account, what becomes clear is the influence women graphic designers have had on the discipline right from the start. The book shows how these women developed their own traditions, fostered dialogue and built connections between their designs, acted as role models, created networks, and proved their capacity for self-empowerment. Illuminating this struggle for professional recognition, Gerda Breuer highlights the collective formats women designers have used to enhance their own visibility, champion women’s issues, and make a mark on the world.
Both little-known collectives and renowned graphic designers such as Lyubov Popova, Änne Koken, Ethel Reed, and Sarah Wyman Whitman contributed to the history of graphic design. Breuer’s approach demonstrates the ways that women’s important contributions been devalued, ignored, or relegated to the background—in short, made to disappear—in the narrative that is usually presented. In the context of contemporary challenges to the traditional canon of graphic design, integrating these contributions into design history is long overdue.

Design by Katja Lis, DBF Designbüro Frankfurt

Details

Linked Information

HerStories in Graphic Design,  Dialogue, continuity, self-empowerment, JOVIS, 2023
HerStories in Graphic Design, Dialogue, continuity, self-empowerment, JOVIS, 2023

 

HerStories in Graphic Design,  Dialogue, continuity, self-empowerment, JOVIS, 2023
HerStories in Graphic Design, Dialogue, continuity, self-empowerment, JOVIS, 2023

 

HerStories in Graphic Design,  Dialogue, continuity, self-empowerment, JOVIS, 2023
HerStories in Graphic Design, Dialogue, continuity, self-empowerment, JOVIS, 2023

 

HerStories in Graphic Design,  Dialogue, continuity, self-empowerment, JOVIS, 2023
HerStories in Graphic Design, Dialogue, continuity, self-empowerment, JOVIS, 2023

 

HerStories in Graphic Design,  Dialogue, continuity, self-empowerment, JOVIS, 2023
HerStories in Graphic Design, Dialogue, continuity, self-empowerment, JOVIS, 2023

 

HerStories in Graphic Design,  Dialogue, continuity, self-empowerment, JOVIS, 2023
HerStories in Graphic Design, Dialogue, continuity, self-empowerment, JOVIS, 2023
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.

Members Content

Many designers played an important role in IBM's graphic identity and implementation including Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.
Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.