Rudolph de Harak ran his own design studio in New York, where he worked across design disciplines including the design of trademarks, posters, brochures, book, magazine and record covers, wall graphics, institutional advertising, industrial design, furniture and street decorations, sculptures, exhibitions; environmental graphics and signs. He taught at many American institutes and also created the United States pavilion for Expo 70 in Osaka; the series «Man, his planet, his space» (Canada at Expo 67) and the entire decoration of the ground floor of an office skyscraper in New York (127, John Street), including the facade writings, external decorations, benches and steel sculptures.
Holiday Magazine, July, 1963 designed by Rudolph de Harak
Holiday was an American travel magazine published from 1946 to 1977, reaching a peak circulation of over one million subscribers. Cover art by Rudolph de Harak.
Rudolph de Harak ran his own design studio in New York, where he worked across design disciplines including the design of trademarks, posters, brochures, book, magazine and record covers, wall graphics, institutional advertising, industrial design, furniture and street decorations, sculptures, exhibitions; environmental graphics and signs. He taught at many American institutes and also created the United States pavilion for Expo 70 in Osaka; the series «Man, his planet, his space» (Canada at Expo 67) and the entire decoration of the ground floor of an office skyscraper in New York (127, John Street), including the facade writings, external decorations, benches and steel sculptures.
The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern.
Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
