Information

Content includes:
Italian Graphi Design
・Lorenzo Manconi
・Erberto Carboni
・Marcello Nizzoli
・Eugenio Carmi
・Franco Grignani
・Bruno Munari
・Giovanni Pintori
・Rosset Gian
・Max Huber
Color page Kenji Ito (Sankyo Pharmaceutical Co., Ltd.) / Kenji Ito
Color page Yusaku Kamekura (Nippon Beer Co., Ltd.) / Yusaku Kamekura
True American Aesthetics / Shichiro Imatake
Fumio Yamana Solo Exhibition / Seiichiro Arai
Graphic Group 1st Exhibition / Shun Miyayama
Japan Advertising Art Exhibition / Isamu Oshihashi
Italian writers and works / Hiroshi Ochi; Yusaku Kamekura
The Essence of Visual Design / Kan Tsukada
Scientific Advertising / Claude Hopkins
Which Works / Aesop Grimm
Art Director’s Skills / Kenichi Endo
Advertising Medicine / Hal Stebbins
What the Future of Advertising Needs / Pier Martinow
Unforgettable Sales Experience / Charles E. Becker

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Linked Information

Idea 004, 1954. Cover design by Eugenio Carmi
Idea 004, 1954. Cover design by Eugenio Carmi

 

Erberto Carboni
Erberto Carboni

 

Idea 004, 1954. Eugenio Carmi
Idea 004, 1954. Eugenio Carmi
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

KLM's brand evolution by Henrion Design Associates. Founded in 1919, KLM is the world's oldest operating airline. In 1961, Henrion Design Associates redesigned the iconic brand, overcoming challenges of standardisation and outdated aesthetics.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.