Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office and Midori Imatake
Cover Design: Miriam Wosk

Content includes:
Miriam Wosk by Milton Glaser
Art Attack by Takenobu Igarashi
George Hardie by Akiko Hyuga
Anne Stienstra, GK Industrial Design Associates by Midori Imatake
Push Pin Studios Opens New Media Art Gallery by Shin’ichiro Tora
“Anamorphosis Exhibition,” Visual Game of Perspective by Shigeo Fukuda, Shigeru Watano
Marcel Mariën by John Lyle
T. Yokoo’s One-man Show by Masanori Ohe
Yoshi Sekiguchi: 12 Years in the U. S. A.
New Typography in the Making by Masahiko Kozuka
Dolmen Press by Liam Miller
Basil Pao – A Young Designer from the West Coast of the United States
Works of Kyo Takahashi
Hall of Fame
Ad Directions ’75
Tony Meeuwissen
Literary Monument Designed by Kenji Itoh, Graphic Designer
Satoshi Kondo: Print Exhibition

Details

Linked Information

Idea 136, 1976-5. Cover design by Miriam Wosk
Idea 136, 1976-5. Cover design by Miriam Wosk

More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.