Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Cover design: Masayoshi Nakajo

Contents include:
Bill Imhoff’s world of the oriental type of illusion by Takenobu Igarashi
Pierre Doyonnax by Shigeru Watano
Akihiko Seki
Society of Illustrators 75th Anniversary by Shinichiro Tora
Institut für communication, Düsseldorf
Ivor Kaplin
Ruedi Rüegg by Shigeru Watano
Frank Delano
Gerstman & Meyers
Gerstman & Meyers Interviewer: Midori Imatake
Massimo Vignelli Interviewer: Midori Imatake
James Sheridan, President: Raymond Loewy International Interviewer: Midori Imatake
Mt. Fuji by Shigeo Fukuda
Ski Poster by Yusaku Kamekura
About seeing things that is thought from Miss Terry Guitar’s photograph by Shigeru Watano
Design Manual of Snow Brand Milk Products Co, Ltd.
The 1976 International Educators Conference held under the sponsorship of ADC of New York

Details

Linked Information

Idea 141, 1977-3. Cover design by Masayoshi Nakajo
Idea 141, 1977-3. Cover design by Masayoshi Nakajo
Idea 141, 1977-3. Ivor Kaplin Feature
Idea 141, 1977-3. Ivor Kaplin Feature

 

Idea 141, 1977-3. Ivor Kaplin Feature
Idea 141, 1977-3. Ivor Kaplin Feature
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.