Information

Cover Design: Jayme Odgers
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Structured Chaos in Deep Space: The Work of April Greiman and/or Jayme Odgers by Marc Treib
Theatre Posters by Čestmeír Pechr by Jan Rajlich
Andre Toet by Shigeru Watano
Tets Yamashita by Takenobu Igarashi
AIGA: The Poster Show 1978
Calendar ’81
design now hong kong exhibit 1981 by Mutsuhito Kamiguchi
Kenzo Nakagawa, Graphic Street by Kazumasa Nagai
’81 Graduation Works of Graphic Design Students
Kenji Ito One-man Exhibition “Graphic Art + Metal Sculpture” by Shinichi Segi
Japanese Graphic Idea Exhibition ’81
The 41st Annual Exhibition of Art Culture Association

Details

Linked Information

Idea 167, 1981-7. Cover design by Jayme Odgers
Idea 167, 1981-7. Cover design by Jayme Odgers
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.