Anton Stankowski - German Graphic Designer

Idea 184, 1984-5

Information

Cover Illustration: Anton Stankowski
Editor in chief: Yoshihisa Ishihara
Editorial Director: Kazuchika Sunaga
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
New World of Expression by Computer Graphics, JAGDA Computer Symposium 1983 by Toshifumi Kawahara
Corporate Identity of Viessmann Werke KG
Braldt Bralds by Charlotte Greelen, Shinichiro Tora
Devis Grebu and his Works Shinichi Segi
Art Directors Club’s 1983 “Hall of Fame” Award: Aaron Burns, Seymour Chwast, Stephen O. Frankfurt, Bill Bernbach (the defunct)
Gail Rigelhaupt by Carol Watson
Milton Glaser & Seymour Chwast by Tadanori Yokoo, Haruo Miyauchi
The Original Art Exhibition of Artwork for Children’s Books by Dilys Evans, Shinichiro Tora
Graphic Design Education by Prof. Peter Megert at the Ohio State University by Peter Megert, Shigeru Watano
Morris Collection: Centering on Kelmscott Press by Masaaki Tanaka
Lecture on Trompo L’oeil Lecture 1 by Shigeo Fukuda

Details

Linked Information

Idea 184, 1984-5. Cover design by Anton Stankowski
Idea 184, 1984-5. Cover design by Anton Stankowski
More graphic design artefacts
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From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion

Members Content

Notes on transit and network map design, including the iconic London Underground map by Harry Beck, the importance of visual clarity, and the role of accessible design in timetable design.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.