Information

Cover Design: Alan Peckolick
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Hard Werken by Shigeru Watano
Anton Stankowski: Art or Design
Sandro Bocola by Fritz Billeter
Toiod Schorr and Kathy Staico Schorr
1987 Hall of Fame by Shin’ichiro Tora
Howard Klein
Mitsuo Katsui: Three Approaches for Small Graphics
Japanese Annual Report by Kiyoji Otsuji, Bill Kinser
Planning for Hotel Seiyo Ginza by Ryo Urano
Marks & Logos: Yusaku Kamekura, Ikko Tanaka, Kazumasa Nagai and Shigeo Fukuda by Masataka Ogawa
John Van Hamersveld
1987 PDC Gold Award Competition International Package Design by Shinichiro Tora, Takeo Yao
Sometimes, The Answer Lies in Breaking The Rules by Midori Imatake
3rd International Design Competition and International Design Award by Midori Imatake
Peter Bartczak
Series 5: Art in New York Today (1) Mark Hadjipateras – The Extruder of “Dream” (2)Jonathan Adolphe’s Weight of Passion by Shoichiro Higuchi
Rafal Olbinski
Paul Slepak by Osamu Kayaba
AIGA Second National Graphic Design Conference San Francisco, September 3-5, 1987
Overseas News, Addresses of Contributors, Domestic News, Book Review and Exhibition News

Details

Linked Information

Idea 206, 1988-1. Cover design by lan Peckolick
Idea 206, 1988-1. Cover design by lan Peckolick
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.