Idea 214, 1989-5

Information

Cover Design: Koichi Sato

Content includes:
The Polaroid Portfolio
Chuck Davidson Rebecca Segerstrom-Sato
Pierre Neumann Interview: Bernard Fibicher
Source/Inc. Takeo Yao
Masayoshi Nakajo Kazumasa Nagai
Works of Kijuro Yahagi – Design, Metalanguage in Formative Art Yukio Kondo
’88 Hall of Fame, Silas Rhodes, Ben Shahn, Mike Tesch, Bert Steinhauser Shinichiro Tora
Petr Otradovec and Zbynek Houska Jan Rajlich
Stuart I. Frolick
Pete Turner, Photographer Nick DeBord
Four Hong Kong Designers Exhibition
Coley Porter Bell – The Strategic Design Charlotte Borger
The Trick Shigeo Fukuda
Good Design is Good Business – Robert Jensen
Jaroslav Sura Jan Rajlich
Series 12: Art in New York Today, Boomerang Thrown by Tom Doyle Shoichiro Higuchi
The 2nd Kumamoto Design Award Takeo Yao
Kenji Kobayashi Akehiko Yamazaki
A New Current in Typography
A Proposal for New Design – Traditional Craftwork of Ogatsu Suzuri Takeo Yao

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Idea 214, 1989-5. Cover design by Koichi Sato
Idea 214, 1989-5. Cover design by Koichi Sato
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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.