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Content includes:
World Design Exposition: “World Poster Exhibition” Shigeo Fukuda
13 Posters That Challenged Shigeo Fukuda
Design, Just Now The Works of Tokyo Designers Space Shinzo Higurashi
35th Annual of The Type Directors Club and ’89 Japan Typography Annual Yuji Baba
Posters for EXPO ’92 Pedro Tabernero, Fumio Sudoh
The Andersen Award to Dusan Kallay Marta Sylvestrova
YAO Design Group ・ Packaging Design Takeo Yao
John C. Bricker, Jr.
Display Design Prize Winning Works for 1989 Shoichiro Uonari
FGianni Spinazzola
Computer Graphics by Laurence M. Garte; Hisaka Kojima
The Trick Shigeo Fukuda
Series 15: Art in New York Today ①Navigation Chart of Spaceship by Jack Whitten ②Lynton Wells’ Door to Guide Godd Shoichiro Higuchi
Showzi Tsukamoto: Creation of Lacquer Arts Hirokazu Arakawa
1989 Art Festival Yufuin Koichi Nakai
Hans Nelsen & Eric Nelsen Hisaka Kojima
Hakushu Summer Festival ’89 Kazue Kobata
Marie-Rose Lortet: Knitting Images
The Orlandi International Design Contest for Ceramic Tiles Marie-Therese Coulley

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Idea 217, 1989. Cover design by Masuteru Aoba
Idea 217, 1989. Cover design by Masuteru Aoba
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.