Idea 275, 1999-07

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Content:
Neville Brody – Research Studios (U.K.)
Why Not Associates (U.K.)
The Attik Design, Inc (UK/U.S.A.)
tomato (U.K.)
Jonathan Barnbrook (U.K.)
v23 -Vaughan Oliver + Chris Bigg (U.K.)
Vince Frost (U.K.)
Struktur Design (U.K.)
The Designers Republic (U.K.)
STILL -Chris Ashworth+Amanda Sissions (U.K.)
automatic (U.K.)
Johnson & Wolverton (U.S.A.)
Imaginary Forces (U.S.A.)
Stefan Sagmeister (U.S.A.)
Charles S. Anderson (U.S.A.)
Chip Kidd (U.S.A.)
Pablo Medina (U.S.A.)
House Industries (U.S.A.)
David Carson (U.S.A.)
52mm (U.S.A.)
MAKELA (U.S.A.)
Koeweiden Postma Associates (The Netherlands)
Ilja Sallacz (Germany)
Cornel Windlin (Switzerland)
Ralph Schraivogel (Switzerland)
cyan (Germany)
Graphic Havoc avisualagency (U.S.A.)
Robert Bergman-Unger (U.S.A.)
Tristan Pranyko (Croatia/U.K.)
Hajime Tachibana (Japan)
Hideki Nakajima (Japan)
Katsunori Aoki (Japan)
Noriyuki Tanaka (Japan)
Namaiki (Japan)
Ichiro Higashiizumi (Japan)
Fumio Tachibana (Japan)
Series: TADANORI YOKOO -Source Vision of Design [vol.3]
Shinro Ohtake: Serial Bound-in Magazine Supplement – Part 3
Visual Design Art of 83th Nika Exhibition
The 59th Annual Exhibition of Bijyutsu Bunka Art Association

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Idea 275, 1999-07. Cover design by Tomato
Idea 275, 1999-07. Cover design by Tomato
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Kohei Sugiura’s work spans an impressive range of mediums, including record jackets, publication covers, posters, exhibition catalogues, and stamps. He perfectly merged functionality and data visualisation with aesthetics. Drawing on his background in architecture, Sugiura applied a systematic, programmatic methodology to graphic design, similar to the approach of Swiss designer Karl Gerstner. 
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.