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Graphic Design History from Design Reviewed

Idea 301, 2003-11

Information

Content includes: Foundation 33 : Multi-Disciplinary Art & Design, Edit & Layout by Foundation 33 / Interaction of Colors and Fonts　Minoru Niijima / TV Asahi’s New CI by Tomato / The 7th International Poster Triennial in Toyama 2003, The Prize Winners and Their Works / New Serial Article: Typography Review vol. 1 by Jiro Katashio / When Pigs Design Vol.23 by Kyoichi Tsuzuki / Invisible Language Vol.10 by Paul Elliman / Shinro Ohtake Original Serial Poster vol. 4 / Amadomari / HeiQuiti Harata Original Serial Poster vol. 4 / Yellow Magic Orchestra Layered

Details

  • Format: Magazine
  • Year: 2003
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 226mm x 297mm

Linked Information

Idea 301, 2003-11
Idea 301, 2003-11
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Form, Internationale Revue 43, September 1968. Designed by Karl Heinz Krug
From the design archive:

Form, Internationale Revue 43, September 1968

  • Format: Magazine
  • Designer/s: Karl Heinz Krug
  • Year: 1968
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Design, Council of Industrial Design, 93, September 1956. Cover design by Cecil Keeling
From the design archive:

Design, Council of Industrial Design, 93, September 1956

  • Format: Magazine
  • Designer/s: Cecil Keeling
  • Year: 1956
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OASE 01, 1981. Designed by Lizzy Plaschek, Harry Wedemeijer, VSSD
From the design archive:

OASE 01, 1981

  • Format: Magazine
  • Designer/s: Lizzy Plaschek, Harry Wedemeijer, VSSD
  • Year: 1981
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Typografia, ročník 67, 07, 1964
From the design archive:

Typografia, ročník 67, 07, 1964

  • Format: Magazine
  • Designer/s: Bohuslav Blažej
  • Year: 1964
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Typografia, ročník 61, 01. Cover design by Oldřich Hlavsa.
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Wayfinding - Olympics/Montreal Olympic Games Organising Committee. Art Direction - Georges Halle/Pierre Yves Berthier. Design - Pierre Fontaine/Raymond Bellemare 1976 Scanned from Graphic Elements of the World Vol 3, Kashiwa Art Publishing, 1984
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Navigating Public Spaces and the Principles of Good Design

Just like people, cities are complex systems. Planners and designers play a key role in making them function smoothly through well-designed signage systems and visual identities. These elements must not clutter the environment but instead serve to inform, direct, and warn the public effectively.