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Graphic Design History from Design Reviewed

Idea 334, 2009-5

Information

Content includes:
Designs for Manga, Anime & Light Novels (Vol.1)
Special Project : Works of YOTUBA SUTAZIO
The cover design of Sazae-san / The book design of Norakuro / Mascots of Comic Magazines in Japan
Special Supplement Comic: “Chihayaburu Otamajyakushi” by Shin Sobue
A Cultural History of Contemporary Design Vol. 4 Quentaro Ani Fujimoto
The Shape of Things to Come Vol.4
MeMe Design Journal Vol.4

Details

  • Format: Magazine
  • Year: 2009
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 226mm x 297mm

Linked Information

Idea 334, 2009-5
Idea 334, 2009-5
More graphic design artefacts
Hans Richter Stedelijk Museum Amsterdam, 1961
From the design archive:

Hans Richter, Stedelijk Museum Amsterdam, 1961

  • Format: Hans Richter
  • Designer/s: Willem Sandberg
  • Year: 1961
View Artefact
Architectural Design, June 1967. Cover image by Josef Albers
From the design archive:

Architectural Design, June 1967

  • Format: Magazine
  • Designer/s: Josef Albers
  • Year: 1967
View Artefact
Museumjournaal, Serie 9 no4, 1963. Cover illustration by Jean Dubuffet.
From the design archive:

Museumjournaal, Serie 9 no4, 1963

  • Format: Exhibition Catalogue
  • Designer/s: Jean Dubuffet (Cover)
  • Year: 1963
View Artefact
Jazz Journal, 6, 1974
From the design archive:

Jazz Journal, 6, 1974

  • Format: Magazine
  • Designer/s: Cal Swann
  • Year: 1974
View Artefact

view more of the graphic design archive

More graphic design history articles
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
Scan 143 copy 5
  • Design Archive Feature

Geigy Chemical Corporation, USA. An Example of Integrated Advertising by William B. McDonald

An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.
Radici, Graphic Design from Hypertextuality to Hyperknowledge (Radici, La Grafica dall’Ipertestualità all’Iperconoscenza), 2021.
  • Designer Interview

Katia Pecoraro: The dualism between system and freedom, design and life.

"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."

Members Content

Ballet 71, Staatsheater Kassel, 1971. Designed by Karl Oskar Blase
  • Design Archive Feature, Members Only Content

The Poster Designs of Karl Oskar Blase

Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.