Idea 357, 2013-3

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Special Feature: The Development of Architectural Media in Japan
20th Century Editorial Odyssey Vol. 8: Printed Punks
Margins of Design Vol. 6 Daijiro Ohara
Cultural History of Japanese Typefaces Vol. 2 “Scene with Gothic-tai”
Editorial Cooperation by Shohei Iida, Photo by Kenta Hasegawa
Contemporary Media on Architecture
TOO MUCH:Magazine of Romantic Geography
The Evolution of Graphic Representation on Architecture
Chronological Table of Japanese Architecture Magazines
Interview with Boredom, Kyoranshyokan, Harumi Yamazaki, Fifth Column
Cultural History of Japanese Typefaces
Vol. 2 “Scene with Gothic-tai”

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Idea 357, 2013-3
Idea 357, 2013-3
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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.
A new online archive makes the complete works of the famous graphic designer accessible
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.