Information

Content includes:
Significance of the ‘1st Japan Industrial Design Conference’
Thirteen years of the Japan Industrial Designers’ Association
Products-full of Italian wit, idea and form
Design : Writing-bureau and chair – IAI Design Section
Designing for education : Supplementary toys to a monthly science magazine for elementary and middle school kids – KAK Designers
ColD’s Design Centre Awards and Duke of Edinburgh’s Prize
Olivetti’s ‘ Tekne 3’ electric typewriter, designed by Ettore Sottsass Jr.
HUMAN FACTORS ENGINEERING AND RESEARCH (4)
VI Measurement and application of human body dimensions
VI Workspace layout and space planning
News, Exhibitions, Books
Cover design: GK Industrial Design Association (Our Cover Artist)

Details

Linked Information

Industrial Art News – Vol. 33, No. 2, 1965. Cover design by GK Industrial Design Association
Industrial Art News – Vol. 33, No. 2, 1965. Cover design by GK Industrial Design Association
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.