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Graphic Design History from Design Reviewed
Lou Klein - Graphic Designer

Interiors, May 1959

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Details

  • Format: Magazine
  • Designer/s: Lou Klein
  • Year: 1959
  • Client/Publisher: Whitney Publications
  • Size: 225mm x 302mm

Linked Information

Interiors, May 1959. Cover design by Lou Klein
Interiors, May 1959. Cover design by Lou Klein
More graphic design artefacts
Graphis 14, 1946. Cover design by Milner Gray
From the design archive:

Graphis 14, 1946

  • Format: Magazine
  • Designer/s: Milner Gray
  • Year: 1946
View Artefact
Perspektiven, Literatur, Kunst, Musik, 7, 1953. Cover design by Rudolph de Harak
From the design archive:

Perspektiven, Literatur, Kunst, Musik, 7, 1953

  • Format: Book
  • Designer/s: Rudolph de Harak
  • Year: 1953
View Artefact
Der Druckspiegel, 08, August 1961
From the design archive:

Der Druckspiegel, 08, August 1961

  • Format: Magazine
  • Year: 1961
View Artefact
De 8 en Opbouw, 10e jaargang No 15, 5 Aug 1939
From the design archive:

De 8 en Opbouw, 10e jaargang No 15, 5 Aug 1939

  • Format: Magazine
  • Designer/s: Paul Schuitema
  • Year: 1939
View Artefact

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More graphic design history articles

Members Content

De 8 en Opbouw, 8e jaargang No 13, 3 Juli 1937 designed by Paul Schuitema
  • Design Archive Feature, Members Only Content

Typophoto. Paul Schuitema and his cover designs for De 8 en Opbouw

Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.

Members Content

Wolfgang Weingart - Pioneer of Swiss New Wave
  • Design Archive Feature, Members Only Content

Wolfgang Weingart – Pioneer of Swiss New Wave

Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.
Toho Paper Company logo designed by Yusaku Kamekura
  • Design Archive Feature

Yusaku Kamekura and his Mark Design by Masataka Ogawa

The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.
Mark_Bloom_landscape copy
  • Designer Interview

Designers and Books Series – Mark Bloom

Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.