Cal Swann

Jazz Journal, 9, 1970

Information

Details

Cal Swann studied typography at Leicester College of Art, earning his NDD in 1956. After completing RAF National Service, he worked in print design, advertising, and lecturing across the UK. In 1969, he published his first book, Techniques of Typography, followed by Language and Typography in 1991 after completing an MA in Applied Linguistics. From 1981-86, he served as Head of Graphic Design at Saint Martin’s School of Art, and later became Dean and Professor of Typographic Design at Liverpool Polytechnic.

Linked Information

Jazz Journal, 9, 1970. Cover design by Cal Swann
Jazz Journal, 9, 1970. Cover design by Cal Swann
Cal Swann studied typography at Leicester College of Art, earning his NDD in 1956. After completing RAF National Service, he worked in print design, advertising, and lecturing across the UK. In 1969, he published his first book, Techniques of Typography, followed by Language and Typography in 1991 after completing an MA in Applied Linguistics. From 1981-86, he served as Head of Graphic Design at Saint Martin’s School of Art, and later became Dean and Professor of Typographic Design at Liverpool Polytechnic.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.
Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.

Members Content

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

Members Content

Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.