Kulturelle Identitaet Und Design / Cultural Identity and Design, IFG-Project 1989, 1990

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Documentation of the conference of the International Forum for Design (IGF), texts (German/English) Alexander and Gudrun Neumeister, Reskine B Childers, Loek van der Sande, Teruzo Ina, Ulrich Becker, Ernst Boesch, Gui Sonsiepe, Jordi Monana, Marco Cavalotti, Jochen Gros, Matthew Turner, Isao Hoso, Victor Papanek, Jogi Panghaal, Klaus Lehmann, Johann Michael Möller, and Conference program of the international conference (September 23/24, 1989 in Ulm), enclosed 3 folded information sheets on international design projects,

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Kulturelle Identitaet Und Design / Cultural Identity and Design, IFG-Project 1989, 1990
Kulturelle Identitaet Und Design / Cultural Identity and Design, IFG-Project 1989, 1990
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Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.

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In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 

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Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.