Max Huber was born in 1919 in Switzerland. He worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
La Biennale di Venezia XII, Festival Internazionale Di Musica Contemporanea, 1949. Designed by Max Huber
Max Huber was born in 1919 in Switzerland. He worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen. Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.
Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.
The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.
